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Journeys of perception Alter/Native realities of modern Mongolia Invasion Letter to East Turkestan Dodeskaden Women & ways Old airport: my personal homeland Maïdyñ ïisin shyğаru Tasting ethnic politics along roadsides Nomadtitude Speed bump Identifying a leader Epic failure Anthropology & Art Catalog Trail A dream in Shambala Way to Rome
Map Icons
Trail Epic failure A dream of Shambala Journeys of perception Dodeskaden Old airport: my personal homeland Alter/Native realities of modern Mongolia Tasting ethnic politics along roadsides The way to Rome Identifying a leader Nomadtitude Maïdyñ ïisin shyğаru Speed bump Letter to East Turkestan Catalog Anthropology & Art Invasion Women & ways

Dodeskaden

Two points in Bishkek are connected by the rather long trolleybus route number 8. Throughout the 1990s, my brother Timur and I would take this trolleybus on weekends and make the almost hour-long journey from Pishpek Station to the Eastern Bus Station. We would sit by the window, looking at passers-by, at the cars, imagining ourselves as the trolleybus driver. It so happened that most of the stops on this route were connected to the course of life, when one belief system was replaced by many other beliefs, religions and rituals.

Marat Rayimkulov

Born in 1984. Member of Group 705 since 2005. He has been making short animations since 2006. His animations were shown in the Central Asia pavilion at the 2011 Venice Biennale and as part of the exhibition “Die Grenze” (“Border”, 2015–2019). Since 2014, he has co-organized the Bishkek April Fool’s Competition. In 2020 he published a series of notebooks, entitled “Testament,” about the art scene in Bishkek.